CURRENT AND UPCOMING EXHIBITIONS

JULES OLITSKI AN INSIDE VIEW, A Survery of Prints 1954-2007 August 9 - November 16, 2008 Brattleboro Museum Brattleboro VT                                                       January 11 - March 29, 2009 Weatherspoon Art Museum, Univ of North Carolina at Greensboro, NC May 14 - July 3rd, 2009 Luther W. Brady Art Gallery, George Washington University, Washington, DC January 4 - February 28, 2010, Brandy Wine Workshop, Printed Image Gallery, Philadelphia, PA March 21 - May 16, 2010, The Butler Institute of American Art, Youngstown, OH September 7- October 31, 2010, Opalka Gallery, The Sage Colleges of Albany, Albany, NY November 13, 2010 -January 16, 2011, The Everson Museum, Syracuse, NY

First Memory, 2006 15 7/8 x 10 Monotype

JULES OLITSKI                                                                                                    Knoedler and Company New York, NY Nov. 19, 2009 - February 13th, 2010    Knoedler and Company

Untitled-Three, 1960  80 1/4 x 66 1/4 Magna on canvas

RECENT EXHIBITIONS

JULES OLITSKI The Late Paintings- A Celebration Knoedler and Company New York, NY Nov. 8, 2007 - Jan. 5, 2008 Catalogue available with essay by Norman L. Kleeblatt, the Susan and Elihu Rose Chief Currator The Jewish Museum New York, NY  Knoedler and Company

Revelation: Red, Black and Turquoise,  2006 34 x36  acrylic on canvas

 

COLOR AS FIELD:  AMERICAN PAINTING, 1950-1975 November 9, 2007-February 3, 2008        Denver Art Museum, Denver, CO February 29-May 26, 2008                       Smithsonian American Art Museum, Washington, DC June 20-September 21, 2008                     Frist Center for the Visual Arts, Nashville, TN   The exhibition emphasizes the artists first associated with Color Field ideas: Frankenthaler, Louis, and Kenneth Noland.  The work of Jules Olitski, another key member of the initial group of painters who developed this uniquely American approach to abstraction, will also be included in depth, along with that of younger painters who shared similar conceptions of what a painting could be, including Larry Poons and Frank Stella.  The potency of these ideas will be investigated through the work of a wider range of Color Field painters, including Jack Bush, Friedel Dzubas, Darby Bannard, Gene Davis, Sam Gilliam, and Ron Davis, many of whom worked outside of the New York area, who all discovered room for personal expression in the idea of structuring a painting with essentially unmodulated expanses of color.  Approximately 40 works. Fully illustrated catalogue, with essays by Karen Wilkin and Carl Belz, artists’ biographies and chronology.