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(director: Terence Young; screenwriter: based on the
play by Frederick Knott/Robert-Howard and Jane-Howard
Carrington; cinematographer: Charles Lang Jr.; editor:
Gene Milford; music: Henry Mancini; cast: Audrey Hepburn
(Susy Hendrix), Efrem
Zimbalist, Jr. (Sam Hendrix), Jack Weston
(Carlino), Richard Crenna (Mike Talman), Alan Arkin
(Roat), Julie
Herrod (Gloria), Samantha Jones (Lisa);
Runtime: 108; MPAA Rating: PG-13; producer: Mel Ferrer;
Warner Bros.; 1967) "Nail-biting until the end." Reviewed by Dennis Schwartz A
superb suspense drama based on the play by
Frederick Knott (he
also wrote "Dial "M" for Murder"), that's
much scarier and superior to most Giallo and slasher
films. It's tautly scripted by Robert-Howard
and Jane-Howard Carrington. James Bond
director Terence Young ("That Lady"/"Dr.
No"/"Bloodline") effectively keeps it
nail-biting until the end, and marvelously keeps it
from being as stagy as it could have been. Audrey
Hepburn takes the role of the vulnerable blind victim
played with acclaim on the Broadway stage by Lee Remick, and deservedly
gets an Oscar nomination for Best Actress. Her
performance is so good I was convinced that she was
blind. The likable actress stopped working the next
nine years and then played in Robin and Marian (1976). During that period
of not working Audrey spent time raising her child in
Switzerland and in 1968 divorced hubby Mel Ferrer. She
soon afterwards married a much younger Italian
psychiatrist and had another child. After raising her
two children in Rome, Audrey spent the rest of her
life doing charity work as a Special Ambassador for
UNICEF and did charity work for Third World countries
before dying from cancer in 1992. Arriving in NYC from his
flight from Montreal, photographer Sam
Hendrix (Efrem
Zimbalist, Jr.) unwittingly helps the sexy
Lisa (Samantha Jones) smuggle a doll
packed inside with heroin, when holding the doll for
Lisa at the concourse of Kennedy International
airport. Lisa skips out when met by a contact at the
airport, and Sam is stuck with the doll. The
photographer's wife Susy (Audrey Hepburn)
became blind from an auto crash a year ago and married
Sam after he heroically saved her life during the
accident. Susy is struggling to become self-reliant,
and attends a Lighthouse school. Left home alone in
their Greenwich Village basement apartment when Sam is
at work, as a bratty unreliable teenage girl, Gloria (Julie Herrod),
who lives upstairs, comes by to do the shopping chores
and look in on Susy once in a while. The
unstable bespectacled 14-year-old sometimes plays
cruel pranks on Susy because she has a schoolgirl
crush on Sam and is jealous of the beautiful Susy, but
is not really a bad person. Two
jailbird con men partners and former colleagues of the
untrustworthy Lisa, the weasel-like ex-cop Carlino (Jack
Weston) and the smooth talking handsome Mike
Talman (Richard Crenna), show up at the
Hendrix's unlocked empty apartment at the invitation
of Lisa and are surprised to be met there by someone
they don't know but learn is Lisa's psychopathic
husband Roat (Alan Arkin), who murdered
her for double-crossing him on the drug deal and left
her hanging in the closet. Roat convinces the two-bit
hustlers to take his business deal, after framing them
for his wife's murder and threatening to turn them in
if they don't accept his proposition. The con men are
hired to find a way to get Susy to reveal where the
doll is hidden, which Roat believes is in the locked
safe in the apartment. Meanwhile Lisa's corpse is
dumped by the hoods in a nearby parking lot, and the
unholy trio the next day re-enter the Hendrix
apartment under false pretenses, carrying out a phony
police investigation and implicating Sam as a suspect
in Lisa's murder, as a helpless Susy is home alone
because hubby treks by bus to Asbury Park, N. J. on a
last minute job assignment. At night things become
more intense with the violent thugs frustrated trying
to retrieve the missing doll from the blind Susy, who
becomes suspicious of them by using her newly learned
tactile skills as a blind person. The
memorable climax has the frightened Susy trapped in
her apartment with the creepy Roat threatening to kill
her with a kitchen knife, even after she gives him the
doll that mysteriously turns up. When Susy smashes all
the light-bulbs in the apartment to even the playing
field, Roat keeps coming after her. This chilling scene stacks
up with the great ones in slasher film lore and is
comparable with even Psycho's shower scene. The well-acted and
excellently plotted film did however have a fuzzy plot
detail moment, such as when Sam is in New Jersey on a
wild goose chase and he receives an emergency phone
call from the psychopath that his wife had an accident
and was taken to Bellevue Hospital--one would think he
would have called the hospital or his home before
rushing back (I would have). But that's maybe just
nitpicking over nothing important, as this mainstream
shocker is top-drawer. REVIEWED ON 2/28/2012 GRADE: A- Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |