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IN SAYING EVERYTHING ABOUT A MOVIE? |
| TRADING PLACES (director: John Landis; screenwriters: Timothy Harris/Herschel Weingrod; cinematographer: Robert Paynter; editor: Malcolm Campbell; music: Elmer Bernstein; cast: Denholm Elliott (Coleman), Dan Aykroyd (Louis Winthorpe III), Ralph Bellamy (Randolph Duke), Don Ameche (Mortimer Duke), Eddie Murphy (Billy Ray Valentine), Avon Long (Ezra), Robert Curtis Brown (Todd), Nicholas Guest (Harry), John Bedford-Lloyd (Andrew), Tony Sherer (Philip), Kristin Holby (Penelope Witherspoon), Clint Smith (Doo Rag Lenny), Paul Gleason (Clarence Beeks), Jamie Lee Curtis (Ophelia), Alfred Drake (President of Exchange), James Belushi (Harvey), Bo Diddley (Barney); Runtime: 106; MPAA Rating: R; producer: Aaron Russo; Paramount; 1983) |
| "Preposterous
lighthearted one-joke comedy."
Reviewed by Dennis Schwartz John Landis ("The Kentucky Fried Movie"/"The Blues
Brothers"/"An American Werewolf in London") indulgently directs this
preposterous lighthearted one-joke comedy that
channels the well-worn theme used by The Three Stooges
and "The
Prince and the Pauper" of heriditary vs,
environment. Even a talented cast, with Eddie Murphy
in top form in his second film, can't overcome the
tiresome premise of a man of privilege forced to trade
places with a low-life street hustler. Though it has some comic
moments, that soon gives way to tedium as it loses its
screwball comedy format. As a satire on capitalism or
genetics, it has surprisingly little bite despite
pretending to say something about the business world
and the social classes. It should appeal mostly to
those clinging to the simple-minded populist notion
that they can skewer the elites in a general way, as
it modestly scales its aspired low heights with slick
but witless dialogue and fails to register any moral
complexities. The setting is a snowy Philadelphia
during Christmas. Two scheming
prejudiced, wealthy and elderly brothers of Duke & Duke Commodities Brokers, Randolph and Mortimer Duke (Ralph Bellamy & Don Ameche), make a
scientific wager of one dollar to see if their firm's
stuffy financial wizard Louis Winthorpe III (Dan Aykroyd) can survive if forcibly
reduced to poverty and is replaced by a loudmouth
black con man, Billy Ray Valentine (Eddie Murphy), and if the low-life
street hustler could actually replace Louis as a
stockbroker whiz for the firm. The framed Louis, a
WASP, loses his club admission to the elite
Heritage Club, his luxury townhouse, his British
man-servant (Denholm
Elliott), his
blueblooded fiancee
Penelope (Kristin
Holby, model for Ralph Lauren ads), his socially
upper-crust friends and his job. A newly richly
attired and limo driven Billy Ray, now takes
over the house, the servant and the job. Jamie Lee Curtis has a bit
part as a hooker with a heart of gold. There are cameos
by Bo Diddley as a pawn broker, comedians Al Franken and
Tom Davis as baggage handlers, Jim Belushi as a New
Year's Eve party person in a gorilla suit, and
puppeteer/director/actor Frank Oz as the policeman
taking inventory of Winthorpe's personal property. The popular film, crassly
appealing to the crowd's basest instincts, insultingly
tell us you are better off being rich than poor. It was
well-received by critics and the public upon release,
and some today even consider it a classic. Its populist
message might also remind some of an updated Frank Capra
vehicle, but such sentimental hokum was a turnoff to me. REVIEWED ON 2/15/2010 GRADE: C+ Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |