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| SWAMP
WATER (THE MAN WHO CAME BACK)
(director: Jean Renoir; screenwriter: based on the novel
by Vereen Bell/Dudley Nichols; cinematographer: J.
Peverall Marley; editor: Walter Thompson; music: David
Buttolph; cast: Walter Brennan (Tom Keefer), Dana
Andrews (Ben Ragan), Walter Huston (Thursday Ragan),
Anne Baxter (Julie Keefer), Virginia Gilmore (Mabel McKenzie),
Mary Howard (Hannah Ragan), John Carradine (Jesse Wick), Eugene
Pallette (Sheriff
Jeb McKane), Ward Bond (Tim Dorson), Guinn Williams (Bud Dorson), Russell Simpson (Marty McCord), Joe
Sawyer (Hardy Ragan), Matt Willis (Miles Tonkin); Runtime:
95; MPAA Rating: NR; producer: Irving Pichel; 20th
Century Fox; 1941) "If Renoir was left alone from Zanuck's heavy hand, this melodrama would have perhaps turned out to be an American classic." Reviewed by Dennis Schwartz The
first American film by acclaimed French filmmaker Jean
Renoir ("The Grand Illusion"/"The Human Beast"/"Madame
Bovary") is shot
in black and white and on location in Georgia's
Okefenokee swamp. At times it's strikingly perceptive
about the human condition and has beautiful tender
moments that are moving, but sinks in the slime at
times from its grim tale and that studio boss Darryl
F. Zanuck interfered by re-writing a Hollywood happy
ending with Irving
Pichel directing.
It's based on Georgia author Vereen Bell's
breakthrough novel and is written by Dudley
Nichols. If Renoir was left alone from Zanuck's heavy
hand, this melodrama would have perhaps turned out to
be an American classic. The plotline has innocent
fugitive Tom Keefer (Walter Brennan)
convicted of the murder of the local deputy sheriff
and sentenced to hang by the false testimony of three
witnesses in his close-knit rural swamp border cracker
community in Georgia. After fleeing from prison, Tom
has been hiding out the last five years in the
uninhabitable Okefenokee
swamp--home to the cotton-mouth snake and alligator.
Trapper Ben Ragan (Dana Andrews) is part of a search
party looking for two missing trappers in the swamp,
who are not found. When Ben's hound dog, Trouble, runs
off in the swamp, Ben, against the advice of his
father Thursday (Walter Huston), returns alone to
search for the beloved dog. Ben not only finds the dog
but locates Tom Keefer, who proclaims his innocence
but refuses to return because he doesn't trust the
town will give him a fair chance to prove it and
refuses to let Ben return fearing he will turn him in.
After a snake bite incident puts Tom off guard and Ben
stays to help him get the poison out rather than
escape, Tom shows Ben how to return to his home. They
also work out a deal to be partners in selling pelts,
which are collected after a few weeks trapping
together. Tom reveals he has a daughter named Julie (Anne
Baxter), who is
being raised as a ward by the general store owner Marty McCord (Russell Simpson) and his wife. Tom wants Ben
to give Julie half their profits and wants him to make
sure she's being raised right. Ben keeps his end of
the bargain. But when Ben's spiteful troublemaker old
girlfriend Mabel McKenzie (Virginia
Gilmore) gets in a jealous snit
that Ben is no longer interested in her but in Julie,
who has wild hair and wears rags and is treated
shabbily by the McCords as if she were a slave, she
tells Sheriff
Jeb McKane (Eugene Pallette) the secret told to her
in confidence that Ben met Tom in the swamp. The
sheriff refuses to listen to Ben try to report that
he witnessed the vile Dorson brothers (Guinn
Williams and Ward Bond) stealing the reported
missing hog, and then allows the violent boys to
torture Ben by waterboarding him in the creek to get
him to reveal where the fugitive is hiding. An angry
Thursday comes by and stops the torture. When Ben
learns that idler Jesse Wick (John Carradine)
attempted to rape his stepmother Hannah (Mary
Howard) and she refuses to tell hubby his identity
fearing he will kill the attacker and be arrested,
it suddenly dawns on Ben that Jesse was in cahoots
with the Dorson brothers and gave false testimony at
the trial to clear the brothers of the murder.
Putting the pressure on Jesse, Ben gets him to
confess in public that Tom is innocent. Renoir gets the mood
right, Dana Andrews is terrific as the nice guy
learning on the fly how evil people can be and the
many John Ford regulars help punch out a story that
Renoir tries to give a European sensibility to
instead of treating it like one of Ford's
action-packed Westerns. Even though it is only
one of Renoir's lesser films, thanks to the
interference by Zanuck, it still was one of Fox’s highest
grossing films of 1941. But if you ever wondered or
cared why so many Hollywood films suck, this film
should give you a strong hint why. REVIEWED ON 4/6/2012 GRADE: B Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |