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| SEEKING
A FRIEND FOR THE END OF THE WORLD
(director/writer: Lorene
Scafaria; cinematographer: Tim Orr; editor:
Zene Baker; music: Rob
Simonsen/Jonathan Sadoff; cast: Steve Carell (Dodge), Keira
Knightley (Penny), Connie Britton (Diane), Adam Brody
(Owen), Rob Corddry (Warren), Gillian Jacobs
(Waitress/Katie), Derek Luke (Speck), Adam Brody (Owen), Melanie Lynskey (Karen), Bob Stephenson (Traffic Cop),
T. J. Miller
(Chipper Host/Darcy), Mark Moses (Anchorman), Patton
Oswalt (Roache), Tonita Castro (Elsa), William Petersen (Trucker),
Martin Sheen (Frank, Dodge's dad); Runtime: 101; MPAA
Rating: R; producers: Steve Golin/Joy Gorman Wettels/Steven Rales/Mark
Roybal; Focus Features; 2012) "Stale but safe apocalyptic romcom." Reviewed by Dennis Schwartz Lorene Scafaria (“Nick and Norah’s Infinite
Playlist”) is
a writer from
New Jersey making her directing debut in this stale
but safe apocalyptic romcom. It's a banal, humorless
and unaffecting take on an end of the world scenario
that's been filmed many times before and with usually
better results. Lars von Trier’s “Melancholia” and Abel Ferrara’s “4:44 Last Day on Earth”
are two examples of such recent films. We learn from a CNN-like
TV-newscast that a massive asteroid named Matilda is
21 days away from crashing into Earth and ending the
world, with no hope of avoiding the tragedy. On top of
that for sad sack suburban New Jersey insurance
salesman Dodge Petersen (Steve Carell), his unfaithful wife has just
left him. But Dodge sticks to his routines of daily
gym workouts, reporting for work at his office and
allowing his friendly but moronic Hispanic housekeeper
Elsa (Tonita Castro) to clean his luxury building
apartment. The downcast Dodge's crude married friends
(Rob Corddry and Connie Britton) try to cheer him up
by inviting him to their swinging druggie party and
fixing him up with the sexy but moronic Karen (Melanie
Lynskey), someone he has nothing in common with.
Predictably things change for the dull nice guy
insurance man when he takes ownership of a cute
terrier he finds lost in the park and names him Sorry
because of a note attached to him by his former owner.
Dodge then runs into the cute but flaky next door
neighbor Penny (Keira Knightley), someone he never met
before despite living there for three years. When there's a riot in the
neighborhood, Dodge flees with Penny, forgiving her
for acting like a moron and not giving him his mail
that was wrongly placed in his mailbox and thereby
preventing him from answering a love letter sent by
his first love. When Penny's moron musician boyfriend
(Adam Brody) uses her as a human shield to flee from
the rioters she ditches him. Now alone with Dodge,
they decide to visit his first love, while Penny wants
to return to England to die at home with her beloved
parents but can't since all commercial flights are put
on hold. When her car runs out of gas they hitch a
ride with a moronic trucker (William Petersen), who
hired a hit man to kill him. Using the trucker's
vehicle to continue their journey they find themselves
overwhelmed by a moronic happy-go-lucky waitstaff in a
restaurant that gives good service a new meaning and
then in a giddy mood from either swallowing or smoking weed trek on
until their vehicle is impounded for speeding by a
rigid moronic traffic cop (Bob Stephenson), and after released from a
night in the slammer they trek to Camden to get a
loaner car from a creepy survivalist former boyfriend
(Derek Luke) of Penny's. The highway
leads to them finding the house of Dodge's first love
and with him having a reconciliation visit with his
estranged father (Martin Sheen), and the realization
that on the last day he would like to snuggle-up with
Penny. In this indigestible
serving of slop, the plodding trite film moves on
without insight, without any funny moments and without
any buzz that Penny and Dodge have it in them to get
it on together. When this stiff film wasn't being
moronic, it had little to offer but the glimmer of
hope at the climax it can get a scene together that
showed a real intimacy was growing between the two
lost souls. Otherwise it's clumsily shot, the visuals
are a drag and the apocalyptic story-line is so lamely
written it doesn't even have a sense of urgency about
it. The lackluster pic only manages to get a drab
performance from Carell, who seems tightly bound by
the colorless lightweight script and fails to register
as a real person caught in a catastrophe and ready to
come alive to his senses before it's too late. REVIEWED ON 6/25/2012 GRADE: C Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |