|
|
|
IN SAYING EVERYTHING ABOUT A MOVIE? |
| ROAD TO ZANZIBAR (director: Victor Schertzinger; screenwriters: Frank Butler/Don Hartman/based on a story by Don Hartman and Sy Bartlett; cinematographer: Ted Tetzlaff; editor: Alma Macrorie; music: Jimmy Van Heusen; cast: Bing Crosby (Chuck Reardon), Bob Hope ("Fearless" Frazier), Dorothy Lamour (Donna Latour), Una Merkel (Julia Quimby), Eric Blore (Charles Kimble), Georges Renavent (Saunders); Runtime: 92; MPAA Rating: NR; producer: Paul Jones; Paramount; 1941) |
| "This Bing Crosby-Bob Hope
road film lacks spontaneity and the humor seems
forced."
Reviewed by Dennis Schwartz This Bing Crosby-Bob Hope
road film lacks spontaneity and the humor seems
forced. The sophistication level of the comedy is not
that much higher than an Abbott and Costello pic. It's
based on a story by Don
Hartman and Sy Bartlett, and is written by Frank Butler and Don
Hartman. Director
Victor
Schertzinger ("Love me Forever"/"Road to Singapore"/"The
Mikado") does a
workman like job keeping the money-making formula
perking along. The duo play a pair of
side-show circus performers, Hubert "Fearless" Frazier
(Bob Hope) and Chuck Reardon (Bing Crosby), doing a human cannonball act, who get stuck in South
Africa when their carnival burns down. Blamed for the
accidental fire, they flee the French police. Caught
in a nightclub, an eccentric diamond mine owner, Charles Kimble (Eric
Blore), pays for the damages and sells them a diamond
mine for $5,000--which
happens to be their fare money home. When Fearless then sells the
questionable mine to a dangerous thug for $7,000, they
have to flee because the thug wants them to take him
to the lost mine. The boys then can't resist
helping fellow American Julia Quimby (Una Merkel), who
asks them to bid at a slave auction for Donna Latour
(Dorothy Lamour) to save her from slave traders. When
the Brooklyn gold diggers realize the boys have a
roll, they make up another story of having to go into
the middle of the jungle to save Donna's father and
get the boys to pay for the safari. Julia's aim for
the safari is to get the wavering Donna to accept the
marriage proposal of a wealthy plantation owner. But
on the trek through the jungle, Donna falls in love
with Chuck. The girls go on alone to meet the
millionaire, while the boys get taken by a native
tribe and to ge free Fearless has to fight in a cage a
gorilla to prove they're white gods. When the natives
are not convinced, the boys are prepped to be eaten
but instigate a brawl amongst the natives and escape.
Back in the port town, the girls again meet the boys
and say they turned back because Donna loves Chuck. The inane story, the racist treatment of the African natives, the weak comedy and the forgettable songs by Bing, make this one of their weaker road films. It was the second of the seven "Road to" movies Bob Hope, Bing Crosby and Dorothy Lamour made over a 20 year period. REVIEWED ON 8/19/2011 GRADE: C Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |