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| PATANG (THE KITE)
(director/writer: Prashant Bhargava; screenwriter: James
Townsend; cinematographer: Shanker Raman; editor: Prashant
Bhargava; music: Mario Grigorov; cast: Nawazuddin Siddiqui (Chakku), Mukkund Shukla (Jayesh), Seema Biswas (Sudha), Sugandha
Garg (Priya),
Aakash Maheriya (Bobby), Pannaben Soni (Mother
Ba), Hamid Shaikh
(Hamid); Runtime: 93; MPAA Rating: NR;
producer: Jaideep Punjabi; Khushi Films; 2011-India-in
Hindi/Gujarati/English,
with English subtitles) "It's a vibrant film, at least, one that brings to life some of the ups and downs of contemporary family life in India." Reviewed by Dennis Schwartz Chicago
raised and born film-maker of Indian ancestry,
Prashant Bhargava,
sets his mostly satisfactory but touristy feature film
debut as director, a low-budget indie, on the site of
the colorful old city of Ahmedabad,
during the
Uttarayan, the annual January festival that's known as
India's largest kite festival. Wealthy Delhi businessman Jayesh
(Mukkund
Shukla) returns to his Western hometown and decaying once majestic
ancestral home in the heart of the city for a surprise two-day
visit to his family after an unexplained absence of
five years. He comes without his wife, attending
instead a wine tasting event, but with his attractive
worldly twenty-something daughter Priya (Sugandha
Garg). Warning: spoiler in next paragraph. The illiterate family
matriarch Ba (Pannaben
Soni), Jayesh's
mom, greets
him suspiciously after he sneakily tries to get her to
sign a document about selling her house (at the end,
we learn her son is trying to get his way with the
family by trying to move them to Delhi with his offer
of buying them a new condo and selling their old
house). Jayesh is also greeted by his likable widowed
teacher sister-in-law Sudha (Seema Biswas), who runs
things for the dysfunctional family and seems
friendly to him and not envious of his success like
others in the family. The most resentful family member
is Chakku (Nawazuddin
Siddiqui),
his ne’er-do-well
nephew, the son of his late brother and Sudha, a conflicted
character who is strangely always around street kids
acting to them sometimes supportive like an older
brother and sometimes like a Fagin-like character.
Chakku openly shows anger to his uncle, as he blames
him for his father's downfall over the loss of the
family business and his ensuing death due to drinking.
This antagonistic relationship becomes the main focus
of the drama, as it slowly and murkily unfolds into a
clichéd-ridden emotional tale about family
jealousy. The expressive and flirty
Priya walks the streets as a tourist with a
Super 8 camera and begins a cautious romance with unhappy local
shop clerk Bobby (Aakash Maheriya), who was forced to leave
college after a year to help his old-fashioned father
in his shop. The lovesick Bobby, after one hot Delhi
kiss, wants marriage, but Priya only thanks him for
showing her a good time and blows cigarette smoke
rings at him and expresses astonishment that a pickup
date for a few days would expect her to leave all her
Delhi friends and her career to stay with him in the
traditional but less sophisticated Gujarati city. On the day of the kite
festival there are over four million kites flown on
the rooftops and the middle-aged Jayesh joins his childhood
friends on the roof to fly their kites, with him
obtaining new kites at the last minute when the
unreliable delivery boy Hamid (Hamid Shaikh), one of Chakku's street
kids, fails to show up with his special order kites. The family drama
superficially tells of old family wounds surfacing
during the visit, while in the background the joyous
festival (shot as if it were a tourist board
commercial, touting the kite festival as if it were
one of the world's don't miss tourist sites) makes the
men act again as boys. The six main characters take in
the sensuous music, the delicious looking home
cooking, the nostalgic storytelling from the old
timers, the salty rumors from the gossipy females, the
dazzling fireworks at night and the splendor of all
the kites in the air. It's a vibrant film, at
least, one that brings to life some of the ups and
downs of contemporary family life in India and of how
the family has to adjust to live with old wounds not
completely healed and with old wealth giving way to
new wealth. Filmed with rich visuals
and in a natural way, that would have probably been
served better if it were a documentary and not a
family drama. It's also abetted by the impromptu
acting from non-professional street kids, who provide
the pic with some bursts of energy. When it succeeds
it makes one feel part of the family reunion and the
traditions of the city. When it flubs, it feels as if
hustled at a tourist spot and not understanding what
it means for the natives to fly a kite and what all
the fuss is about. REVIEWED ON 6/20/2012 GRADE: B Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |