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| MIRROR MIRROR
(director: Tarsem
Singh; screenwriters: Marc Klein/Jason Keller/based
on a story by Melisa Wallack; cinematographer:
Brendan Galvin;
editors: Robert
Duffy/Nick Moore; music: Alan Menken; cast:
Julia Roberts (the
Queen), Lily Collins (Snow White), Armie Hammer (Prince
Alcott), Nathan Lane (Brighton), Sean Bean (the King);
Runtime: 106; MPAA Rating: PG; producers: Bernie Goldmann/Ryan
Kavanaugh/Brett Ratner; Relativity Media;
2012) "The sluggish fairy tale movie fails to be uplifting." Reviewed by Dennis Schwartz Former musical video
director, India-born,
London residing, Tarsem Singh ("Immortals"/"The
Fall"/"The Cell"), directs a flawed, stylish (eye-popping sets,
colorful costumes & trippy imagery), comic and
cheeky version of the Brothers Grimm "once upon a
time" fairy tale and updates the often-told tale by
having the heroine use a dagger to ensure her happy
ending. It's based on a story by Melisa Wallack and is
written by Marc Klein and Jason Keller. At times the
film drags and the dramatic events become dull and
take second place to the gorgeous stage designs.
Though it's always watchable, it has little emotional
impact, the Snow White performer is stiff, the wicked
Queen performance is strained and the story line is
executed so weakly it never gets the viewer to care
about any of the characters and, what seems most out
of place, is that Snow White has to fight
against an evil empire in a way that seems more like a
cartoonish superhero than a fairy tale heroine. The beloved King (Sean
Bean) becomes a widower after his wife dies at
childbirth. But the beautiful child, named Snow White
(Lily Collins,
daughter of Phil Collins), lives and is adored by
her dad. Some eight years later the King falls under a
magical spell and marries the new Queen (Julia
Roberts), who he deems to be the most beautiful woman
in the world. One day the King rides out in the forest
and never returns. Snow White is distraught, missing
her kind father, as the Queen turns out to be a wicked
despot, whose insanity, vanity and greed causes the
town to suffer severe poverty and for Snow White to be
mistreated and kept a shut-in her bedroom. The
delusional mad-woman power-hungry Queen talks to her
reflection in the mirror and relies on black magic to
give her strength to rule. When the princess turns 18,
she becomes restless and sneaks into town. She finds a
town that was joyous under her father's rule now is
grief-stricken because high taxes are used to support
the Queen's lavish lifestyle instead of to feed the
starving people. In the woods Snow bumps into the dashing Prince Alcott
(Armie Hammer), visiting from Spain, and the two fall in love at
first sight. But the Queen also sets her sights on
marrying the Prince and has her executive bootlicker
Brighton (Nathan Lane) take Snow out to the woods and
dispose of her. But Brighton, as a favor to her
father, lets her run away and gives her dad's magic
dagger to use in an emergency. In the woods Snow
befriends the outcast rowdy band of thieves, "the
seven dwarfs," and they team up to take down the
wicked Queen and to fight in battle the terrible beast
in the forest. The moves toward making
Snow White a feminism tale never take hold as
something substantial, while the love story never
shows any true sparkle between such bland lovers.
Changing the narrative to get in a few sour jokes
doesn't seem to be worth the effort, as in the end the
sluggish fairy tale movie fails to be uplifting or
worth the effort of redoing it. REVIEWED ON 4/3/2012 GRADE: C+ Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |