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| THE MASTER
(director/writer: Paul Thomas Anderson; cinematographer:
Mihai Malaimare Jr; editors:
Leslie Jones/Peter McNulty; music: Jonny
Greenwood; cast: Joaquin Phoenix
(Freddie Quell), Philip Seymour Hoffman (Lancaster
Dodd), Amy Adams (Peggy Dodd), Laura Dern (Helen
Sullivan), Ambyr Childers (Elizabeth Dodd), Jesse
Plemons (Val Dodd), Madisen Beaty (Doris Solstad),
Rami Malek (Clark), W. Earl Brown (Posed
for photograph); Runtime: 137; MPAA Rating: R;
producers: JoAnne Sellar/Daniel Lupi/Paul
Anderson/Megan Ellison; The Weinstein Company;
2012) "From a director at the peak of his power, who is willing to take on serious topics and do it in a uniquely intelligent way." Reviewed by Dennis Schwartz Paul
Thomas Anderson ("There Will Be
Blood"/"Magnolia"/"Punch-Drunk Love") directs
and writes a puzzling and astonishing film about a
father and son/guru and disciple relationship. The
guru is inspired and loosely based on L.
Ron Hubbard, founder of the Church Of Scientology.
It's about the attempt of the guru to invent a
new religion and the strange and eerie relationship
between a lowly but volatile drifter and the haughty
self-proclaimed prophet. The mentally troubled
self-destructive Navy war veteran, Freddie
Quell (Joaquin
Phoenix), who after his
service discharge receives psychological treatment at
the VA for not recovering from his war experience. He
later loses his department store portrait
photographer's job because of odd behavior, becomes an
alcoholic (makes his own moonshine with paint thinner)
and travels across the country as a drifter. Freddie
is unable because of his erratic behavior to even hold
a job with migrant farm workers in a California
cabbage field. When caught as a stowaway on the boat
of Lancaster Dodd (Philip
Seymour Hoffman), docked in the San
Francisco harbor, Freddie grudgingly becomes a cult
follower of the hubris-filled charlatan-like cult
leader, who wrote a book called The Cause that claims
to treat those from "past trauma" if they
follow his advice and allow their mind to be a blank
free of all memories. Freddie is encouraged to accept
the popular author's free advice, free meals and free
living quarters, and the loser drifter is used by the
guru to test out his outlandish theories on such a
subject still not mentally stable. Lancaster is
the smoothie snake charmer busy writing
another book, channeling his followers, raising money
from wealthy supporters (like Laura
Dern), and organizing a new agnostic cult
based on his quirky thoughts in the post World
War II period. The cult's pseudo religious techniques
are tailor-made for those who need encouragement from
inspirational speakers on how to be a success and who
are like the drifter willing to try anything to make
their life more bearable. The guru tries to take
Freddie under his wing with his soft words of comfort
and theoretical philosophy; but the drifter, whatever
his faults, is too sincere and the rogue convert never
quite believes the spiritual guru and eventually finds
his own way in the world as a drifter. It's a
plot-less, minimalist and unsettling film that offers
no resolution, but is a fascinating character study of
two strikingly different characters with psychological
issues who have their own views of the world and their
own reactions to how events affect them. It's a
telling story about how there will always be frauds
around to manipulate the vulnerable masses. It's from
a director at the peak of his power, who is willing to
take on serious topics and do it in a uniquely
intelligent way. It perceptively tells of how the
frauds can make it in the world and how they use the
weakness of another to gain power over them. The
performances by Philip Seymour Hoffman and
Joaquin Phoenix are masterful, making
this epic seem more like a small indie pic telling
about an intimate portrayal of wounded psyches on
different paths. It's a film that, perhaps, can't be
fully absorbed in just one sitting, as there are too
many unsettling things to look further into. But the
more I think about it, the more I
think it's probably a masterpiece. REVIEWED ON 10/28/2012 GRADE: A Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |