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IN SAYING EVERYTHING ABOUT A MOVIE? |
| KISMET (director: Vincente Minnelli; screenwriters: Charles Lederer/Luther Davis/based on a play by Edward Knoblock (story) and the book by Luther Davis & Charles Lederer; cinematographer: Joseph Rutterberg; editor: Adrienne Fazan; music: Alexander Borodin/Robert Wright and George Forrest; cast: Howard Keel (The Poet/Hajj), Ann Blyth (Marsinah), Dolores Gray (Lalume), Vic Damone (The Caliph), Monty Woolley (Omar), Sebastian Cabot (Wazir), Jay C. Flippen (Jawan), Jack Elam (Hassan-Ben), Mike Mazurki (Chief Policeman), Reiko Sato (1st Princess of Ababu), Patricia Dunn (2nd Princess of Ababu), Wonci Lui (3rd Princess of Ababu); Runtime: 113; MPAA Rating: NR; producer: Arthur Freed; WB Home Video; 1955) |
| "The heavy-handed
glittering Arabian Nights musical is a great watch
visually, but unfortunately the storytelling is
uninspiring."
Reviewed
by Dennis Schwartz The fourth film version of the Broadway play by Edward Knoblock is helmed by the talented Vincente Minnelli ("Meet Me in St. Louis"/"The Clock"/"The Pirate"), who felt indifferent to the project but was coerced into directing by the studio producers Arthur Freed and Dore Schary on the promise of directing Lust for Life, a pic he really wanted to do, if he agrees to do this pic. Since Minnelli's heart was not into it, the pic never caught fire despite the MGM studio's lush sets (filmed in the studio), colorful costumes and the fine stage music from Alexander Borodin fashioned by Robert Wright and George Forrest into such songs as "Stranger in Paradise" and Baubles, Bangles and Beads. The escapist lavish musical
follows one exciting day in the life of a struggling
Baghdad beggar-poet (Howard Keel) and his beloved prim
daughter Marsinah
(Ann Blyth). At the bazaar, the poet can't sell his
poems and he turns accidentally to begging when he
unknowingly sits in the spot reserved for the beggar
Hajj and starts receiving alms. Omar (Monty Woolley, his last major movie
role), the adviser to the Caliph (Vic Damone), only gives him alms
because he's impressed by his poems. Before he can
enjoy his good fortune, the poet is abducted by the
minions of the wanted ruthless bandit Jawal (Jay C. Flippen) when mistaken for the
Hajj, but talks his way out of being sold as a slave
when he convinces the bandit he has the power to
remove a curse that Hajj placed on him some fifteen
years ago that caused his beloved son Ali to go
missing. Given 100 pieces of gold to remove the curse
which will enable Jawal to thereby find his son in
Baghdad, where the thief is a wanted man and afraid to
enter until now. With his new wealth the poet buys a
beautiful house in Baghdad. Meanwhile
Marsinah
wanders the marketplace, while the Caliph also wanders
there incognito with Omar. The Caliph falls in love
with Marsinah at first sight when seeing
her in the marketplace and follows her home, where he
introduces himself to her in the garden as the
gardener and makes plans to visit her that night (not
telling her that he is the Caliph and plans to marry
her). But complications arise when the poet is
arrested for possessing Jawal's stolen money and the
powerful Wazir (Sebastian Cabot) threatens to chop off his
hands. But the poet is spared when Jawal is also
arrested while in Baghdad searching for his son and
recognizes the Wazir as his long lost son. This
relationship doesn't help the thief from being
executed, but it does show the poet is a magician with
great power. The Wazir's bored wife, Lalume (Dolores Gray), convinces her ruthless
but stupid hubby to employ the ladies man poet and make use of his
magical powers, even though she knows he's a fake. It
seems she has plans to be the poet's lover. With the
poet now elevated to nobility, he moves his daughter
into the Wazir's mansion. After a few more scary
adventures and misunderstandings, Marsinah and the Caliph
meet again and marry. This thwarts the corrupt Wazir's
plan to have the Caliph marry the three princesses
from Ababu, whose sheik father offered a bribe for the
Wazir to arrange their marriage to the Caliph. The
Wazir doesn't fare that well in the end, which leaves
the opportunity for the poet to run away with the
wealthy Lalume
(with the Caliph's approval) and live happily ever
after in the desert. The heavy-handed glittering
Arabian Nights musical is a great watch visually, but
unfortunately the storytelling is uninspiring, too
many cast members are miscast and the fantasy pic is
let down by Minnelli's indifferent
direction. It should have been more magical and
lighthearted, especially considering the fairy tale
setting and all the romantic intrigues uncovered. REVIEWED ON 7/25/2011 GRADE: B- Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |