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IN SAYING EVERYTHING ABOUT A MOVIE? |
| I VINTI (THE VANQUISHED) (director/writer: Michelangelo Antonioni; screenwriters: Giorgio Bassani/Suso Cecchi d'Amico/Diego Fabbri/Roger Nimier/Turi Vasile; cinematographer: Enzo Sarafin; editor: Eraldo Da Roma; music: Giovanni Fusco; cast: Franco Interlenghi (Claudio), Eduardo Ciannelli (Claudio's father), Evi Maltagliati (Claudio's mother), Anna-Maria Ferrero (Marina), Peter Reynolds (Aubrey), Patrick Barr (Ken Whatton), Fay Compton (Mrs. Pinkerton), Etchika Choureau (Simone), Jean-Pierre Mocky (Pierre), Albert Michel (The father of Georges); Runtime: 114; MPAA Rating: NR; producer: Mario Gabrielli; Raro Video; 1953-Italy/France-in Italian, French and English, with English subtitles) |
| "Daring
venture in nihilism."
Reviewed by Dennis Schwartz Michelangelo Antonioni's ("La Notte"/"Blowup"/"The Red Desert") second feature, suffering from censorship and critical ridicule, has been fully restored in this Raro Video DVD. Despite not being well-received upon its release, it nevertheless is a daring venture in nihilism that tells in three separate episodes the senseless murders committed by conflicted young men in France, Italy, and England (each episode uses the language of its location). In the voiceover monologue, the film calls the youthful killers we are about to see products of this "burned-out generation" that are all about living for their own egotistical gratifications. All the stories are of real murders (the Italian story was changed because the censors objected to the violent nature of the original radical political story-which was completely changed from a terrorist blowing up a munitions plant to an accidental murder by a callow student youth wanting fast money to live a fast life; the French story was changed because of objections raised by the involved family members of the teens; while in the British version there was pressure to cut a number of details relative to the grizzly murder). The stories were ripped from the headlines of the day, that have the three youths primarily murder their victims for the money, even though all three had enough money from their parents and no logical reason for committing murder. The film explores post-war juvenile delinquency in these three European countries and how an increase in violence became more commonplace after the war, but offers no psychological reasons for the crimes and instead wonders if it's due in part to the after-effects of the war and the changing times that encouraged violent stories to be reported in the media for our entertainment. The French tale has a
group
of dreamy
escapist Parisian
bourgeois middle-class
high
school companions go truant and travel by bus to visit
the nearby
Virenes Castle. There Andre, out
of jealousy and his head spinning from being
manipulated by his brother
Georges and femme fatale girlfriend Simone (Etchika Choureau),
fatally shoots their boastful fellow student Pierre (Jean-Pierre
Mocky) for
his money and because he believed his materialistic
girlfriend was
falling for the vic. The three unlikely
criminals planned to use the stolen money to travel to
Algeria for some
kicks. The money, however, turns out to be
counterfeit. The Italian
episode has the self-absorbed wealthy 20-year-old
college student
Claudio (Franco
Interlenghi)
involved with a cigarette smuggling ring,
who in a panic while escaping a raid on the road in
cold-blood kills a
policeman to avoid arrest. Claudio's clueless parents
are shocked when
their son, injured in a fall while escaping, returns
home to only die
while collapsing on his bed. In the English episode,
indolent and
conceited poetry lover Aubrey (Peter
Reynolds)
phones the London
tabloid, the Daily Witness, and tells crime reporter
Ken Whatton (Patrick
Barr) that he
found a woman's corpse in the
nearby countryside and wants money for reporting where
to find the body
and for writing his eye-witness account. The pathetic
prostitute vic is the middle-aged Mrs.
Pinkerton (Fay Compton),
who went off in a secluded area with the seemingly
nice boy and was
strangled to death by him because the bright but
warped youth wanted
fame and to be a somebody. Aubrey believed the murder
would get the
attention of a girl he was smitten with who rejected
him, and that even
though he confessed he would not get convicted.
Whatton blames himself
for offering money
to those who report sensational news stories, which he
now deems as a
bad idea but is miffed that the other papers have
copied this strategy
to sell more papers. The downbeat film
doesn't
have wide appeal, but it is revealing of
Antonioni in the
early days getting his footing on what he wants to
film and what motifs
to raise. This film, a lesser one in his oeuvre,
should be of interest
mainly to the fans of the legendary filmmaker but
should also not be
overlooked by others seeking out better quality
'youths in trouble'
films . REVIEWED ON 4/7/2011 GRADE: B Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |