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| HAPPY
HAPPY (SKY LYKKELIG) (director:
Anne Sewitsky;
screenwriter: Ragnhild
Tronvoll; cinematographer: Anna Myking;
editor: Christoffer
Heie; music: Stein Berge Svendsen; cast: Agnes Kittelsen (Kaja),
Joachim Rafaelsen (Eirik), Maibritt Saerens (Elisabeth),
Henrik Rafaelsen (Sigve), Oskar Hernaes Brandso
(Theodor), Ram Shihab Ebedy (Noa), Heine Totland (Choral
Director); Runtime: 88; MPAA Rating: R;
producer: Synnove
Horsdal; Magnolia Pictures; 2010-Norway in
Norwegian with English subtitles) "Ironic dramedy about couples finding happiness through gaining self-respect." Reviewed by Dennis Schwartz The debut feature of the
Norwegian director Anne Sewitsky is a somewhat satisfactory but
strained ironic dramedy about couples finding
happiness through gaining self-respect. It's written by Ragnhild Tronvoll with a degree of
intelligence, but without enough nerve to be biting or
memorable. The
pic brings up big issues in domestic relationships and
racial relationships, but despite the fine acting has
no heart in following through with any kind of
realized payoff. Instead it goes limp and offers too
much sentimentality, a predictable tidy ending and
tepid looks at how the bourgeois handle family strife
in serene Norway. A sophisticated
professional city couple, Elizabeth (Maibritt Saerens)
and Sigve (Henrik Rafaelsen), with their passive
adopted African child, from Ethiopia, Noa (Ram Shihab Ebedy), move to the sticks for
Sigve to get over his Danish wife's affair. Their
neighbor landlords are stereotyped yokels, the over
friendly junior high school German teacher Kaja
(Agnes Kittelsen) and
her unsophisticated gruff hunter and wrestling buff
hubby Eirik (Joachim
Rafaelsen). The
landlord's aggressive son Theodor (Oskar Hernaes Brandso) likes to play cruel games
with Noa, where the same aged black kid plays his
slave while he plays the master. At a returned dinner
invitation, at the tenant's house, the polar opposite
couples play an uncomfortable board game that gets
some tied up in emotional knots over their love life.
The winter wonderland story
gives way to farce: played out in infidelities and the
revealing of
dark secrets from everybody--with Eirik's secret the
darkest. Surprise! Surprise! Both couples are not as
Happy Happy as first thought and we soon get to see
what's bugging them--it's a matter of domestic-strife
and longings for love. Meanwhile scenes often change
to a well-dressed Nordic male quartet chorus belting
out in English American spirituals and ballads, that
sound strange because the songs don't quite connect
with the soap opera narrative. By the end of the
melodrama, during the Christmas season, after three of
the four leads sing “Amazing Grace”, excluding Eirik, in the local
church choir, all their gigantic marital problems
magically evaporate due to lessons learned on the fly.
The affable Sigve leaves the vulnerable Kaja's arms to
return to his apologetic beautiful lawyer wife and the
once perceived perfect couple look good again together
though not in the same perfect way as before, as they
split for the city; while the plain-looking,
gregarious, and insecure Kaja, always putting on a
happy face that might as well say 'I want to be your
friend because I'm so lonely,' has gained enough
strength to leave her uncommunicative and mentally
cruel hubby who only pities her but doesn't love her.
It won the World Cinema Grand Jury Prize for a dramatic feature at the 2011 . REVIEWED ON 11/18/2011 GRADE: B- Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |