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IN SAYING EVERYTHING ABOUT A MOVIE? |
| GROUNDHOG DAY (director/writer: Harold Ramis; screenwriter: from a story by Danny Rubin/Danny Rubin; cinematographer: John Bailey; editor: Pembroke J. Herring; music: George Fenton; cast: Bill Murray (Phil Connors), Andie McDowell (Rita), Chris Elliott (Larry), Stephen Tobolowsky (Ned Ryerson), Marita Geraghty (Nancy Taylor), Robin Duke (Doris), Harold Ramis (Neurologist), Angela Paton (Mrs. Lancaster); Runtime: 101; MPAA Rating: PG; producers: Trevor Albert/Harold Ramis; Columbia TriStar Home Entertainment; 1993) |
| "Reminds
one of Capra's It's A Wonderful Life."
Reviewed by Dennis Schwartz Harold Ramis ("Caddyshack"/"Analyze
This"/"Bedazzled") deftly,
with a light touch, directs and co-writes with Danny
Rubin this witty
time warp rom comedy-fantasy, that's based on a
story by Rubin. The question asked, What if there's no
tomorrow?, serves as the film's innovative
premise.
It has its grumpy protagonist living the last day of
his life
over and over again until he gets it right, as it's
curious to know
what he would do to change the rut he's in. On February 2,
1992, the
Pittsburgh
Channel 9 team of self-centered weatherman Phil
Connors (Bill
Murray), the sweet romantic producer Rita (Andie
McDowell),
and the cheerful everyman cameraman
Larry (Chris
Elliott) are
sent on an annual
assignment
that Phil especially detests, the Groundhog Day
festivities in
Punxsutawney, PA (shot in Woodstock,
Illinois),
where
the citizens await at Gobbler's Knob for the
appearance of Punxsutawney
Phil. He's the groundhog who can supposedly predict
if spring will come
early or late, depending if he sees his own shadow
or not. Under strange
Twilight Zone
circumstances Phil finishes his duties and finds
himself trapped in
dreaded Punxsutawney
due
to an unexpected snow storm and is forced into
reliving his day
there over and over again--even if he succeeds in
killing himself. The
day always begins at 6 A.M., to the alarm going off
and the radio
blaring out Bob Dylan singing "I Got You Babe." The
narrative has the
same 24 hours keep repeating, but each time with a
different twist
until at last Phil becomes a better person and is
sprung from his
trapped karmic existence. It concludes on the
feel-good
note
that reminds one of Capra's It's A Wonderful Life.
When today is
tomorrow again for the rehabilitated Phil, things
become different for
the once cynical uncaring weatherman. Credit for pulling
off such
sentimental hogwash goes to the efficacy of the
story, the efforts of
the likable Murray (getting
away with being a smug and smarmy character, but
still one the audience
cares about) and that the caring
McDowell makes for a
likable romantic interest. A few of the sketches
work better than
others, with my favorite being Murray's cunning way
about learning
everything about the hottie local Nancy (Marita
Geraghty) to trick her into a roll in the sack. My
least favorite
sketch has McDowell
outbidding other ladies at an
auction to own Murray for a day (nothing funny or
poignant about that). REVIEWED ON 4/9/2011 GRADE: B Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |