EVERYTHING ABOUT A MOVIE?
|GIRL WHO PLAYED WITH FIRE, THE (FLICKAN SOM LEKTE MED ELDEN) (director: Daniel Alfredson; screenwriter: Jonas Frykberg/based on the book by; cinematographer: Peter Mokrosinski; editor: Mattias Morheden; music: Jacob Groth; cast: (Lisbeth Salander), (Mikael Blomkvist), Annika Hallin (Annika Giannini), Per Oscarsson (Holger Palmgren), Lena Endre (Erika Berger), Peter Andersson (Nils Bjurman), Georgi Staykov (Lisbeth's Dad), Mikael Spreitz (Ronald Niedermann), Yasmine Garbi (Miriam Wu), Johan Kylen (Jan Bublanski), Paolo Roberto (Paolo Roberto, Boxer), Hans-Christian Thulin (Dag Svensson); Runtime: 129; MPAA Rating: NR; producer: Soren Staermose; Music Box Films; 2009-Sweden-in Swedish with English subtitles)|
|"It's less interesting than the first film, more
drawn out, flatter and with
too many undeveloped characters to keep track of."
Reviewed by Dennis Schwartz
Directed by Daniel
Alfredson ("Wolf") with ambitions to be film noir and have something
pertinent to say about police procedural work, corruption in Stockholm
and those institutions that supervise juvenile offenders. Though
clocking in at a lengthy 129 minutes, it never gets to say much that's
worthwhile about topics it raised (even though shorter than the first
film, it felt longer) Alfredson takes over from Niels Arden Oplev, the first film's
director. The series is based
on the best selling three
books of the late Swedish author Stieg Larsson—The Girl With The Dragon Tattoo, The
Girl Who Played With Fire, and The Girl Who Kicked The Hornet's Nest,
collectively known as the Millennium trilogy. Jonas
Frykberg supplies the overbaked screenplay based on the second book. It
continues the tale of woe of Lisbeth Salander (),
the troubled pint-sized young adult with the tattoo on her back of a
dragon and two nose rings. She was saddled with pervert lawyer legal guardian (Peter Andersson), who she blackmails with a video tape after
he rapes her. It's less interesting than the first film, more drawn
out, flatter and with too many
undeveloped characters to keep track of.
journalist Mikael Blomkvist (Michael Nyqvist) of the crusading Millennium Magazine hires a young couple
who are amateur reporters doing an expose on a sex-trafficking ring.
When Lisbeth's legal guardian is murdered followed by the gangland
execution style murder of the young reporters, the bungling police
suspect Lisbeth of all three murders because her fingerprints are found
on the recovered murder weapon. Mikael is convinced she was not
the killer and gets involved in tracking down Lisbeth and the real
killers, as the compassionate reporter has formed a strong bond with
Lisbeth in the first film and feels her pain so much that he's moved to
help her any way he can.
The story is a mess to
follow, the banal plot line is made worse because it's hardly
believable, Nyqvist's sympathetic character is pushed into the
background with too little to do, Paolo Roberto (Yasmine Garbi), the
motorcycle drug-traffickers and the squabbles between the inept police
and the concerned magazine editor. The sequel failed to keep my
attention, as things never caught fire as easily as Lisbeth's evil dad
Staykov) did when as a child she splashed his face with gasoline and
got entangled in Sweden's flawed court system. The film's title is
derived from that incident. The
serviceable crime drama is limited in its entertainment value.
REVIEWED ON 9/4/2010 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
© ALL RIGHTS RESERVED DENNIS SCHWARTZ