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IN SAYING EVERYTHING ABOUT A MOVIE? |
| FOUR DAYS OF NAPLES, THE (LE QUATTRO GIORNATE DI NAPOLI) (director/writer: Nanni Loy; screenwriters: Carlo Bernari/Pasquale Festa Campanile/Massimo Franciosa; cinematographer: Marcello Gatti; editor: Ruggero Mastroianni; music: Carlo Rustichelli; cast: Regina Bianchi (Concetta Capuozzo), Aldo Giuffre (Pitrella), Lea Massari (Maria), Jean Sorel (Livornese), Franco Sportelli (Professor Rosati), Charles Belmont (Sailor),Gian Maria Volonte (Stimolo); Frank Wolff (Salvatore), Luigi De Filippo (Cicillo), Pupella Maggio (Mother of Arturo); Georges Wilson (Reformatory director), Raffaele Barbato (Ajello), Dominico Formato (Gennaro Capuozzo), Curt Lowens (Sakau), Enzo Turco (Valente); Runtime: 121; MPAA Rating: NR; producer: Goffredo Lombardo; MGM; 1962-Italy-in Italian with English subtitles) |
| "Inspired
by actual events."
Reviewed by Dennis Schwartz General Badoglio of
the
Italian Army signs an
armistice with the Allies on September 8, 1943, but
the German
Wehrmacht ignores the truce and easily occupies the
city of Naples as
the confused Italian army disbands. The Germans
publicly execute an innocent Italian sailor and round
up as many of the
the male
inhabitants of the city as they can locate for
deportation to German
labor camps as slave labor. On
September 28, the Germans use a soccer stadium to
randomly execute 50
men being held for delivery to a German work camp,
after street
fighting to release the men taken to the labor camps
resulted in five
Nazis killed. The Germans intend to show they mean
business about any
attempts to disobey their orders and attempt to scare
the Italians from
further retaliations. Instead the people of Naples
organize a massive
four-day
rebellion against the Germans and after four bloody
days of fighting
the Germans retreat, just as the Americans are about
to enter. At times things seem
too
staged to excite, as the filmmaker knows just when to
pull the strings
to tug at the audience's heart and when to lighten up
with some comedy
relief. Many characters emerge as heroes, with no main
characters in
starring roles. The ones that caught my attention were
a boy named
Gennaro running away from his daffy mom to fight the
war and getting
killed trying to take out a tank on his own, and
civilian heroes like Professor
Rosati (heading the resistance), Salvatore (a tough
street-fighter), the
patriotic reform school inmate Ayello (leading the
charge against the
Germans with his fellow reform school inmates) and the
reform school
director fighting with his juvenile delinquent
inmates. It's shot like a
documentary,
in a neo-realist style. REVIEWED ON 6/11/2011 GRADE: B Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |