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IN SAYING EVERYTHING ABOUT A MOVIE? |
| A LIFE OF HER OWN (director: George Cukor; screenwriter: Isobel Lennart; cinematographer: George Folsey; editor: George White; music: Bronislau Kaper; cast: Lana Turner (Lily Brannel James), Ray Milland (Steve Harleigh), Tom Ewell (Tom Caraway), Louis Calhern (Jim Leversoe), Ann Dvorak (Mary Ashlon), Barry Sullivan (Lee Gorrance), Margaret Phillips (Nora Harleigh), Jean Hagen (Maggie), Hermes Pan (Dancer); Runtime: 109; MPAA Rating: NR; producer: Voldemar Vetluguin; MGM; 1950) |
| "This
artificially dramatic fluff piece seems as if it
was ripped
out of the pages of a woman's confessional
magazine and meant to give
the lady
readers a scary moral lesson about not committing
adultery."
Reviewed by Dennis Schwartz Director George Cukor ("The Philadelphia
Story"/"Heller in
Pink
Tights"/"My Fair Lady") does his
best with this "silly and
fatuous" melodrama, even though it's still not enough.
Writer Isobel Lennart
turned Rebecca West's
novel The
Abiding Vision
into A
Life
of Her Own. Uncredited writers Donald
Ogden Stewart and Samson Raphaelson
were called in to fix up the messy conclusion, which
still seems messy. The girl from the
wrong side
of the tracks, Lily James (Lana
Turner), leaves her Kansas small-town to be a model in
NYC. Lily gets
hired by Tom Caraway (Tom Ewell), head of the
prestigious
model agency. At the agency she's befriended by a
former top
Caraway model, Mary Ashlon (Ann
Dvorak),
now a drunken aging has-been. In
the evening, Mary arranges a double date
for her and Lily
with advertising executive Lee Gorrance (Barry Sullivan) and
corporation
lawyer Jim Leversoe (Louis
Calhern), but is disturbed that her regular boyfriend
Lee is making a
play for the younger
beauty. After the drunk Mary throws a temper tantrum
at the nightclub,
Lily accompanies her home. The next day, Lily learns
from the newspaper
headlines that Mary committed suicide by jumping out
of her hi-rise
apartment. The next day Lily
rejects
Lee's advances, but remains friends with Jim. When
Lily's career takes
off, Jim introduces her to
his suave millionaire friend, Steve
Harleigh (Ray Milland), a Montana copper-mine owner
on a
business trip to New York. Steve is married, and
while in the city the
lonely man takes Lily out on harmless dates. Before
returning home,
Steve realizes that he's fallen in love with Lily
and gives her an
expensive bracelet to express his affection. When
Steve returns to the
city, Lily refuses to see him thinking he tried to
buy her off with the
bracelet. But they soon run into each other in one
of the city spots
they frequented, and he tells her he will be staying
full-time in NYC.
They take an apartment together and things are going
well, but when
Steve tells her his invalid wife Nora (Margaret Phillips), who
can't walk as a
result of an accident three years ago, will
be
visiting for his birthday, things get tense. Lily
gives Steve the
elaborate party she planned, while Steve spends a
quiet evening with
Nora. It
concludes
with Lily asking to meet Nora, and coming away
impressed that she has a
real affection for her husband and is dependent on
his
support (needing him more than she does). With that,
Lily decides not
to be a home-wrecker and gives Steve up. Lily is
left thinking that if
she's not resolute, she'll end up a suicide like
Mary. This
artificially
dramatic fluff piece seems as if it was ripped out
of the
pages of a woman's confessional magazine and meant
to give the lady
readers a scary moral lesson about not committing
adultery. REVIEWED ON 4/1/2010 GRADE: C Dennis Schwartz: "Ozus' World Movie Reviews" © ALL RIGHTS RESERVED DENNIS SCHWARTZ |